Jessica's Underwater Inspiration at the Monterey Bay Aquarium

On my trip to California, I drove from Los Angeles to San Fransicso. Happily we were able to were able to stop by the amazing Monterey Bay Aquarium along the way.  I was so taken with the jellyfish That I could have watched them all day. Their beautiful luminessence, their graceful movement and delicate colours... So much inspiration. 

[jellfy fish photos by Jessica Reid]

[dress from Ellie Saab's Fall 2014 Couture collection via]

[Pillowme Jellyfish Pillow, $40.]

[QiDesign Aurelia Lamp, $495.]

[Heather Marchand's paper jellies from Covet Garden Issue 4. Photo by Kim Jeffery.]



New Prints From Alanna Cavanagh 

You know Covet Garden loves Alanna Cavanagh. We featured her loft in Covet Garden Home, our walls are decorated with her artwork and yet we still want more! Which is why we can't wait until this weekend's Cabbagetown Arts & Crafts Festival, where Alanna will be premiering her latest prints and cards.

Admission to the Fest is free and the show runs from Friday to Sunday, so there's no excuse not to check out the many fine vendors who will be exhibiting in Riverdale Park. But just in case you need extra encouragement, here's a preview of some of Alanna's amazing new designs.

We love this series of bold black and white flowers.

And we're also fond of these colourful, Cabbagetown-themed Christmas cards.

If you can't make it to the Cabbagetown Arts & Crafts Festival in person (say, you don't live in Toronto), Alanna is currently having a giveaway for one of her new "City Bike" prints. Just follow her on Instagram (@tweedstockings) and "like" her August 28th post to enter.


Issue 49 is Now Live!

It's our Fourth Anniversary and we are celebrating with old friends and new ideas!

This month, we revisit Iza and daughter Olive, who were first featured in Covet Garden Issue 23 (June 2012). They have since sold their old Victorian home and have moved into a smaller condo while they wait for their next place to be built. We knew Iza would have some amazingly creative ideas on how to adapt to a much smaller footprint and we know that once you see inside, you'll be agree that she has created a little home with big heart.

We're also kicking off our fourth year by hanging out more with our readers. We're presenting a roundtable at BlogPodium 2014 — Canada's Conference for design and lifestyle bloggers — on Saturday September 13th and on Sunday September 21st, we're teaming up with our friends at Pure Green Living for a day of fun in the sun at Word on the Street in Toronto. Stop by to say hi, and get a great deal when you buy a copy of Covet Garden Home and Pure Green Living.


Jessica In The Garden of Eames House

I was in California recently and had the opportunity to visit the Eames House in Pacific Palisades and it was an experience that I will never forget. According to the brochure published by the Eames Foundation "The house that they created offered them a space where work, play, life, and nature co-existed."  Charles and Ray Eames believed that nature acted as a "shock-absorber" to modern life and was carefully considered when designing their home (aka Case Study House #8).

We didn't go inside but rather stuck to the grounds of the Eames House. I was struck not just by the innovative design of the living and working spaces, but the extent to which the natural landscape and plants were part of the overall design.

Eames House was completed in 1949 and Charles and Ray lived here for the rest of their lives. I was so excited to have the opportunity to see where this dynamic couple worked and lived. The home is currently in the state that Ray Eames left it when she passed away in 1988. As a visitor, you are permitted to walk the grouds freely, but not enter the home. I found myself peering into every window seeing piles of objects and treasures and almost anticipating seeing Ray walk into the room. I was amazed by how the space was not minimally decorated, but was an accumulation of things of meaning and a was well-worn, lived-in space. I had always associated the Eames with a very paired-down aesthetic with room for things of function only, but their space was filled with objects that told the story of their lives: of travels and experiences that informed their lives and their designs. 

The location is also the home of the Eames Foundation, whose mission is to provide educational experiences that celebrate the creative legacy of Charles and Ray Eames. The staff were lovely and always ready to answer questions. We visited with my 6-year-old and her friend and they loved hearing about the importance of play in the Eames' approach design. The kids  were delighted to be set up in the meadow next to the house with a deck of Giant House of Cards to play with while we continued to explore the grounds and take it all in. If you have a chance, you should definitely visit! Call at least 48 hours in advance at 310-459-9663 to make an appointment (and if you're not in the neighbourhood, check out their website).

[photographs: Jessica Reid]


We Covet: Lindsay Stead's Incredible Quilts

Recently, we were invited into the home/studio space of quiltmaker Lindsay Stead. If you're not familiar with her work, she has taken the traditions of quilting — hand stitching, piecing and patterns — and made them her own by playing with the scale of the shapes and by emphasizing the use of negative space through blocks of solid colour. The resulting quilts are truly works of art, which have been exhibited across North America (she took first place minimalist design, second place hand work and judge's choice at QuiltCon in Austin, TX in 2013). And three of her quilts will be featured at a special exhibit in Yokahama During Japan's International Quilt Week in November.

Lindsay started out studying furniture design at Sheridan College in Oakville, Ontario. "By the end of third year, I realized I didn't want to pursue furniture making," says Lindsay. She had taken a course with textile artist Rachel MacHenry, which introduced her the quilt work of the women of Gee's Bend, Alabama. "Their quilts were so beautiful," she says. "I never thought they could be traditional and personal."

Inspired by the improvisational piecework of the Gee's Bend Collective, Lindsay set out to find her own quilting voice. "It took about four years to figure out what my aesthetic was," she says. Her training in furniture making informed some of her style: "Use of negative space and low contrast is important to me." Another lesson she learned along the way was "letting go of the idea that you have to make something that has not been made before." While her work is minimalist, there is a personal connection in the hand stitching — the tiny variations and occasional imperfections of the needlework is like writing a secret message in code to the quilt's eventual owner.

[photos by Lynda Felton]

Currently, Lindsay works out of the living room of her pretty, one bedroom apartment in Toronto. "I make the best of this tiny little space," she says. Her work space is a foldup table and the couch is on wheels so she can roll it out of the room when she needs to shoot a quilt for her online store. Her favoutite space is the backyard, which was an overgrown jungle when she moved in, but is now a beautiful oasis of greenery. "It's a really great environment to get creative inspiration from," she says of her home.

We were inspired by Lindsay, her home and her work. We're so excited that on top of her sublime quilts, she'll be adding pillows to her shop next month. In the meantime, check out this portfolio of her past works and simply swoon!